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Jayalath Manoratne Mano Aiya to most Jayalath had been in films before you remember him from Handaya coque huawei p20 coque gel silicone huawei p10 lite twilight but television became his preferred medium outside the theatre, just as it did for Suminda Sirisena, Manike Attanayake, Vijaya Nandasiri, and Mercy Edirisinghe. They came from the same coque huawei p9 lite boulanger generation: All of them had been born between 1946 and 1948, and all of them had begun their careers under a thespian. Mercy coque huawei p10 avec verre trempe was the first among amazon coque huawei p8lite them to depart, in 2014, and three years later coque huawei p20 lite art Vijaya followed. Two days ago Manoratne followed suit. coque huawei It is difficult to think they be gone for good. What struck you about him at first were his looks the bushy hair, the thick eyebrows, the pinched up face, the sharp nose which congealed to coque huawei p10 lite chat 3d a face that could jump from boisterousness to self doubt to arrogance within a matter of seconds. coque huawei p smart survivor A face like that didn come often to the local screen, and theatrical as it was, it came naturally to him. Like Joe Abeywickrema, Jayalath was never a hero, and like Joe, his face coque de huawei p10 lite psg coque huawei y5 2019 coque huawei p10 lite pitbull nike could convey a myriad of impressions which told us a lot more about the character than what he was made to speak. Then television happened, and the roles kept coming to him: Bodima, Kande Gedara, Gamperaliya,Madol Doowa, Sedona, and Doo aliexpress coque huawei p smart Daruwo. We saw him later in Gal Pilimaya saha Bol Milimaya, Sakisanda Eliyas, coque huawei p10 2017 and Deiyyo Saakki (where he was paired with Suminda Sirisena and Sriyantha Mendis). His movie credits were insignificant at first a journalist in Saptha Kanya and Sisila Gini Gani but later he got to the top: Most memorably as the monk in Sooriya Arana. coque samsung He devoted all the time he had and could get, to the stage. In Kande Gedara he the richest son of a fairly well off rural family, the two elders of which leave after the mother has an argument with a daughter in law who remains in their ancestral home. Manoratne is the only son of theirs who prospered: Well educated, working at a top company, he lives in coque huawei p smart tigre a posh comfortable Colombo house. The son and daughter are typical specimens of the post 1977 Colombo middle class: the son watches Bruce Lee films and the daughter dotes on Michael Jackson. It a chaotic coque huawei y5 2 fnac family, neither here nor there, and the wife, played by Veena Jayakody, doesn coque huawei p10 lite porte carte take too well to her in laws moving in; the culture shock, a frequently depicted theme in Sinhala television serials during that decade, proves to be coque huawei p8 lite 2017 plastique too much. coque samsung If Suminda Sirisena in almost every role he got played variations of the reasonable, rational minded protagonist, and if Sriyantha Mendis played variations of the leering pretender (the contrast between them comes out in Asalwasiyo), Manoratne in this period almost always got to play that bewildered, confused everyman: he caught up in the action, but all too often he also distanced from it. In Bodima he coque huawei p9 lite mandala an English teacher the only tenant in his annexe who can understand that language but though he obviously got a back story he never gets us interested in it. coque iphone He has his odd mannerisms: He counts numbers when he sneezes and he reverts to English even when he knows no one understands him. Then in two episodes, we see his other side: His wife pays a visit, and so does his teacher. Compared to the other prodigals in the annexe what a colourful set they were he seems quite normal, but just as you lose interest in him, he reveals himself. coque iphone If you see variations of this in his later roles as Jinadasa in Gamperaliya, for instance it was partly owing to his figure. Later, when he grew out of that figure and became more burly and assertive, he changed. But the actors who made their way to the movies through television had to wait until much later to get top billing in the cinema, and Manoratne was no exception. Of his movie performances, the ones that really coque huawei p 20 lite amazon counted were, in that sense, few and far in between, because he was notoriously selective. Sriyantha Mendis and Suminda Sirisena, when they were not indulging in melodrama, indulged in political satire; Manoratne wasn like that. And I think I know why: He was too involved in the theatre to think of the cinema as anything other than an occasional diversion. In the end, what might have prevented him from rising to the top in the industry got him top billing. He could get theatrical, unforgivably so, when the sequence demanded that he tone down. He did intermittently tone down: In Sooriya Arana, opposite Jackson Anthony raving Veddah, he quite nondescript, so much so that when he loses his temper and lashes out, the film jars; coque huawei p10 lite panda the fact that I remember these sequences more vividly coque huawei p20 lite marque than I do the veddha own outbursts indicates that the contrast between his usual demeanour and his tempestuous fits coque huawei p8 officiel couldn be resolved. Sumitra Peries once told me that when they were shooting a sequence in Loku Duwa coque huawei pro mate 10 in which Gamini Fonseka waits for his daughter at the Kalutara Bodiya and plays around with his coque huawei p8 lite 2017 tokyo ghoul lighter, she couldn stop the camera: wasn sure whether he was acting or not. There a sequence in Ho Gana Pokuna in which Manoratne poses for a photograph for his bus driver license, and he fails: the photographer (Whom we never see) commands him to smile widely, look up straight with his chin, then not so up, lower the chin, and so on.


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